These are in display in the case outside of my art room along with lots of other stuff. As you can see some glass did not make it all the way across some of the bottoms. Which is okay. Each piece I thought was unique.
Side ways view from bowl at top. It's hard to see but the sides were stamped before these were put on the mold.
I really like the free form of this pottery. I encourage the students to lay the slab (after they rolled it out) on the mold and to NOT cut it in a circle.
These are ready to be fired in the kiln. You can see they each picked out three colors of glass. Just enought to melt all the way across,on most.
Bone dry bisque and ready to be fired in the kiln.
Great pic of stamped sides and bottom. These slabs were laid on a styrofoam bowl, as a mold. We used slab sticks, rollers to get the correct thickness of clay. Then they were stamped with various stamps I made last year. Then they were carefully picked up and laid on mold. They were to gently push down slab to form it slightly around mold (bowl), but not to much. Names were put on these last with needle tool.
Fourth Graders even picked one piece of small glass and put inside their face pottery for a pop of color. I like to do this lesson with clear glaze.It shows the details in the clay better. These student's could choose clear if they wanted, if they didn't want the color inside.
Glazing with three coats, time for a glass bead!!
I love the slab bowls! So pretty!
ReplyDeleteI am in love with this project....the organic shapes, the colors, the crackly glass...I'm so excited to try this in the kiln!
ReplyDeleteI am an art teacher as well and and just starting to experiment with glass and clay. What cone did you fire them at and have you used recycled glass from beverage bottles? What cone bisque and glaze? Thanks so much for sharing!
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If she is firing with the glaze, it is probably fired at cone 04 -06. I fire slump/fuse glass at 015 - 017, but the glazes need a little hotter kiln firing.
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